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              <text>This mahogany library armchair frame has a padded concave tablet back with rounded ends, stuffed with horsehair and covered in close-nailed leather, probably Moroccan, i.e. goatskin. The arms are joined to the posts just below the tablet and curve down to form wide flat armrests which would originally have been padded. There are baluster-turned arm supports joined to the beech seat rail, which is circular, and now missing its stuff-over upholstery. The front legs are turned and tapering, with ‘toupie’ feet (toupie is French for a spinning top), and the back legs are square-section and flared. The chair possibly had a swivel underarm fixture for either a candle or book rest, as indicated by a filled peg hole in the underside of the right arm.&lt;br /&gt;&lt;br /&gt;Library chairs are rare survivors today, since they must always have been somewhat unusual and would have had a limited market. There is an example in the Victoria &amp;amp; Albert Museum of a type of reading chair where the sitter faces what would normally be the back of the chair, made c. 1730 and believed to have been owned by the poet John Gay (V&amp;amp;A: W.47:1-1948). Thomas Sheraton illustrates such a chair in The Cabinet Directory (1803), plate 5, and states that the chair was intended: ‘to make the exercise [of reading] easy, and for the convenience of taking down a note or quotation from any subject’. &lt;br /&gt;&lt;br /&gt;This chair (FPF297) is a more conventional form of armchair, but the enlarged and padded arms would have given more support when holding a book or newspaper. For an example of a writing chair in the Frederick Parker Collection, see FPF149.</text>
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              <text>Left front leg has been replaced at the top.&lt;br /&gt;Repair to the crest rail.&lt;br /&gt;Tack holes on the arms indicate position of upholstery, now missing.&lt;br /&gt;The seat upholstery would have been stuff-over as indicated by tack holes.</text>
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          <name>Materials</name>
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              <text>Mahogany.&lt;br /&gt;Beech.&lt;br /&gt;Upholstery.</text>
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          <description>The physical size of the object</description>
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              <text>H. 91&lt;br /&gt;W. 66&lt;br /&gt;D. 61</text>
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              <text>Plastic label ‘PATTERN OM 1357’.</text>
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              <text>In stock prior to 1911, purchased by Frederick Parker &amp;amp; Sons from Gill &amp;amp; Reigate for £2.</text>
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          <name>Notes</name>
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              <text>For the library reading chair at the Victoria &amp;amp; Albert Museum, London, see:&lt;br /&gt;&lt;a href="https://collections.vam.ac.uk/item/O55040/reading-chair/"&gt;Reading Chair | V&amp;amp;A Explore The Collections&lt;/a&gt;&lt;br /&gt;https://collections.vam.ac.uk/item/O55040/reading-chair/&lt;br /&gt;R. Edwards, Sheraton Furniture Designs, London, 1945, pp. 44-45.&lt;br /&gt;&lt;br /&gt;Noted in Parker record: Returned to HW for Parkertex in April 1986.</text>
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            <name>Identifier</name>
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                <text>FPF297</text>
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            <description>A name given to the resource</description>
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                <text>Mahogany library armchair.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1795-1810</text>
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                <text>Mahogany library armchair with wide flat arm rests.</text>
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          <name>Full Description</name>
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              <text>This armchair frame has a tall sloping back with a serpentine crest rail. The back posts are continuous with the back legs. The arms are curved and terminate in scrolls, with down-swept supports meeting the side rails. The tapered seat is raised on moulded front legs with brackets, and flared back legs, joined by an ‘H’-form stretcher. &lt;br /&gt;&lt;br /&gt;This chair frame was made by Parker Knoll as the prototype for the PK314 range. &lt;br /&gt;&lt;br /&gt;This type of open-sided armchair with upholstered back and seat was sometimes described in the early-mid 20th century as a ‘Gainsborough Chair’. Thomas Chippendale (1718-79) referred to the model as a ‘French’ chair in the third edition of his Director (1762), and this term was in use during the 19th century. &lt;br /&gt;&lt;br /&gt;This design is comparable to that used by Edward VIII for a speech broadcast to the nation in 1935, which was model number PK115 (Bland, 1995).</text>
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              <text>Frame only.</text>
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              <text>Mahogany.</text>
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          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
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              <text>H. 91&lt;br /&gt;W. 60&lt;br /&gt;D. 51</text>
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              <text>Marked on outside of front seat rail: 'PK314'. Printed wooden plates on the inside of left and right seat rails: 'Registered trademark Parker-Knoll High Wycombe England'</text>
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          <name>Parker Numbers</name>
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              <text>PK314.</text>
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              <text>Purchased for the Collection, 16 June 2016.</text>
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          <name>Notes</name>
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              <text>Thomas Chippendale, The Gentleman and Cabinet-Maker’s Director, 3rd Edition, London, 1762.&lt;br /&gt;Stephen Bland, Take a Seat, The Story of Parker Knoll 1834-1994, Parker Knoll, 1935, p. 84</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF494</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mahogany open armchair frame.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1930-1940</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Mahogany open armchair frame made by Parker Knoll.</text>
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          <name>Full Description</name>
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              <text>This armchair has an upholstered oval back within a fluted mahogany frame, with the crest carved with a rosette, husk festoons and acanthus leaves. The back frame is continuous with the back legs. The stuff-over seat has a serpentine-front and is curved at the sides and back. The short down-swept moulded arms have pads on the horizontals and meet down-swept moulded supports rising from the front legs. The seat rail is fluted and the front rail is carved with a central rosette and husks. The chair is raised on moulded cabriole legs at the front with carved festoons on the knees, while the back legs are moulded and flared. The yellow damask and webbing upholstery is 20th century.&lt;br /&gt;&lt;br /&gt;This chair is in the Louis XV-style, made fashionable in the mid-1760s by French Royal chair-makers such as Jean-Baptiste Tilliard (1686-1766), maître in 1717, and menuisier du Garde-Meuble du Roi from 1728. The oval back in chairs is one of the earliest embodiments of the neo-classical style. The first known representation of an oval-back chair is in Pierre-Antoine Baudouin's engraving, Le Lever, published in 1765. Tilliard, together with his contemporary Louis Delanois, was pre-eminent in the use of oval backs in the early 1760s, confirmed by a miniature chair by Tilliard which was acquired by the 6th Earl of Coventry from the marchand-mercier Simon-Phillippe Poirier between 1763-68 (Jervis, 2011). &lt;br /&gt;&lt;br /&gt;This chair is an English rendition of the French prototype. Although British furniture makers like John Linnell (1729-96) favoured combining an oval back with straight legs, designs in the Victoria &amp;amp; Albert Museum show that Linnell was initially making oval back chairs with cabriole legs in c. 1770-75 (Hayward, Kirkham, 1980).</text>
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              <text>Feet cut down.&lt;br /&gt;Repair to top of right arm, and underside of right arm, two wood plugs.&lt;br /&gt;Damage to carving on front left seat rail.&lt;br /&gt;Repairs to chair back&lt;br /&gt;New supporting brackets under seat rail.</text>
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          <name>Materials</name>
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              <text>Mahogany.&lt;br /&gt;Upholstery.</text>
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          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
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              <text>H. 94&lt;br /&gt;W. 61&lt;br /&gt;D. 64</text>
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          <name>Marks</name>
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              <text>Underside, right arm, incised ‘VIII’.&lt;br /&gt;Underside, seat rail, incised ‘XIIII’.</text>
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          <name>Parker Numbers</name>
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              <text>Painted under seat rail: ‘177/3691’.&lt;br /&gt;Plastic label inside seat rail: ‘OM 3691’.</text>
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              <text>Purchased by Frederick Parker &amp;amp; Sons prior to 1914 from Charles for £26.10.0.</text>
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              <text>&lt;a href="https://www.furniturehistorysociety.org/uploaded_resources/files/NL_184amended.pdf"&gt;Simon Swynfen Jervis, ‘Miniature Furniture and Interiors’, Furniture History Society Newsletter, November 2011, p. 4. &lt;/a&gt;&lt;br /&gt;H. Hayward, P. Kirkham, William and John Linnell: Eighteenth Century London Furniture Makers, London, 1980, vol. II, pp. 44-45, figs. 86, 86a.</text>
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            <name>Identifier</name>
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                <text>FPF177</text>
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                <text>Mahogany open armchair with oval back and cabriole legs.</text>
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                <text>1770-1780</text>
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                <text>Mahogany open armchair with oval back and cabriole legs, the seat and back upholstered.</text>
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          <name>Full Description</name>
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              <text>This mahogany-frame armchair has a cartouche-shaped upholstered back. The out-scrolled arm rests are part-upholstered and meet fluted mahogany down-swept supports fixed to the seat rail. The stuff-over seat has a serpentine front and a deep apron. The chair is raised on cabriole legs at the front and raked square-section flared legs at the back that terminate in toe feet. The chair is covered in a modern pink satin damask.&lt;br /&gt;&lt;br /&gt;The pattern for this chair can be compared to two designs by the cabinet- and chair-maker John Linnell (1729-96), now held in the Victoria &amp;amp; Albert Museum, London (E.59-1929; E.85-1929). Inspired by ‘French elbow chairs’, Linnell’s interpretation of the rococo style can be seen in the curved arm rails, the S-shaped curves at the front of the seat and the cabriole front legs. &lt;br /&gt;&lt;br /&gt;This chair would most likely have been part of a suite of chairs and perhaps sofas to furnish a drawing room, used by family as well as guests. This was the room to which people would retire after a meal, usually the women leaving first while the men remained for a while in the dining room with port and cigars. Drawing room chairs were designed to be elegant, comfortable and convenient. &lt;br /&gt;&lt;br /&gt;A set of eight chairs made to the first of Linnell’s designs discussed above (together with two sofas en suite) was supplied to William Drake at Shardeloes, Buckinghamshire, in 1768 (Hayward, Kirkham, 1980).</text>
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          <name>Condition</name>
          <description/>
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              <text>Metal brackets reinforcing three legs. Left front leg corner bracket missing, right front leg both corner brackets missing. Repairs to both back legs and left front leg.</text>
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          <name>Materials</name>
          <description/>
          <elementTextContainer>
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              <text>Mahogany.&lt;br /&gt;Upholstery.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
          <elementTextContainer>
            <elementText elementTextId="1356">
              <text>H. 94&lt;br /&gt;W. 66 &lt;br /&gt;D. 61</text>
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          <name>Parker Numbers</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1357">
              <text>500</text>
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          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1358">
              <text>In the Collection prior to 1993.</text>
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        <element elementId="57">
          <name>Notes</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1359">
              <text>H. Hayward, P. Kirkham, William and John Linnell: Eighteenth Century London Furniture Makers, London, 1980, vol. II, p. 34, fig. 61.&lt;br /&gt;&lt;a href="https://collections.vam.ac.uk/item/O754709/design-for-an-armchair-from-drawing-linnell-john/"&gt;Design For An Armchair From A Miscellaneous Collection of Original Designs | John Linnell | V&amp;amp;A Explore The Collections&lt;/a&gt;&lt;br /&gt;&#13;
&lt;p&gt;&lt;a href="https://collections.vam.ac.uk/item/O754683/designs-for-two-armchairs-from-drawing-linnell-john/"&gt;Design For Two Armchairs From A Miscellaneous Collection of Original Designs | John Linnell | V&amp;amp;A Explore The Collections&lt;/a&gt;&lt;/p&gt;&#13;
This chair is on loan to No 1 Royal Crescent, Bath.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF193</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1351">
                <text>1765-1785</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Mahogany open armchair with upholstered seat and back and cabriole legs.</text>
              </elementText>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2609">
                <text>Mahogany open armchair with upholstered seat and back.</text>
              </elementText>
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          <name>Full Description</name>
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              <text>This mahogany open armchair has a continuous arched and curved back and arms, the shaped back posts rising from the legs, which are turned below seat level. The back has five splayed spindles turned with nodes, regularly spaced rather than resembling bamboo. The arms meet down-swept moulded supports rising from the front legs. The tapering and curved seat has stuff-over upholstery and a close-nailed horsehair cover. The front legs are tapering, turned and carved with a band of fluting at their tops. The back legs are turned and raked. The legs are united by diagonal turned cross stretchers that have been reinforced at the joints with later metal brackets. The upholstery and cover are 19th century.&lt;br /&gt;&lt;br /&gt;The pattern for this chair is somewhat similar to Hepplewhite’s 1788 design for a ‘Bar-back sofa’, having a continuous open-frame back and arms with splayed bars and an upholstered seat (White, 1990). A similar chair was sold through Christie’s, London in 2013, described as being possibly made by a French emigré chairmaker. The mahogany seat rail is partly exposed on the Christie’s example, and is fluted, and it seems likely that this chair (FPF168) was originally made and upholstered in this way, before extensive alterations were carried out in the 19th century when the seat rails were replaced and the chair was re-upholstered.</text>
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          <name>Condition</name>
          <description/>
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              <text>Surface has been stripped.&lt;br /&gt;Seat rails are replaced and the chair re-upholstered.&lt;br /&gt;Rear left back leg and lower part of rear right back leg are replaced.&lt;br /&gt;Lower part of front right leg replaced.&lt;br /&gt;Metal brackets supporting the stretchers.</text>
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          <name>Materials</name>
          <description/>
          <elementTextContainer>
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              <text>Mahogany.&lt;br /&gt;The rear and two side seat rails are ash, the front seat rail is oak.&lt;br /&gt;Upholstery.</text>
            </elementText>
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        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
          <elementTextContainer>
            <elementText elementTextId="1290">
              <text>H. 89&lt;br /&gt;W. 58&lt;br /&gt;D. 56</text>
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        <element elementId="55">
          <name>Parker Numbers</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1291">
              <text>OM 5919, plastic label on the back left of the seat rail.</text>
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          <name>Provenance</name>
          <description/>
          <elementTextContainer>
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              <text>Purchased by Frederick Parker &amp;amp; Sons on 18 June 1919 for £18.0.0.</text>
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        <element elementId="57">
          <name>Notes</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1293">
              <text>E. White (ed.), Pictorial Dictionary of British 18th Century Furniture Design, Antique Collectors’ Club, 1990, p.114, A. Hepplewhite &amp;amp; Co., The Cabinet-Maker and Upholsterer's Guide, 1st Edition, 1788, top left.&lt;br /&gt;&lt;a href="https://www.christies.com/lot/lot-5675073"&gt;Christies, London, 2 May 2013, lot 221&lt;/a&gt;</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF168</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="1284">
                <text>Mahogany open armchair with upholstered seat and spindles in the back.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="1285">
                <text>1770-1790</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="1286">
                <text>Mahogany open armchair with upholstered seat and spindles in the back.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Full Description</name>
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              <text>This mahogany side chair has a gadroon-carved crest rail with a raised scrolled tablet in the centre. The back has a square splat with diagonally crossed bars set between horizontal rails; the diagonals are terminated in each corner and at the centre with carved lotus-flowers. A narrow panel of canework surrounds the splat. The tapering back posts are continuous with tapering and square-section flared back legs. The seat rails are plain and support a caned seat which probably had a squab cushion, now missing. The front legs are squared and carved at the tops and ring-turned and reeded below, terminating in ‘toupie’ feet (toupie is the French term for a spinning top). &lt;br /&gt;&lt;br /&gt;This chair with its crossed bars is related to French Empire-style seat-furniture with artistic references to Ancient Rome and Egypt. Chairs with similar crossed splats are featured in plate 10 in The London Chair-Makers’ and Carvers’ Book of Prices for Workmanship, 1807-11 (see Gilbert, 1982). Most of the designs for the plainer seat-furniture were from the close of the 18th century, and not in the latest fashion (Fastnedge, 1965).</text>
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          <name>Condition</name>
          <description/>
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              <text>All four legs have been re-tipped.&lt;br /&gt;The caning in the seat is not original; it has been wrapped over an added rail at the back of the seat indicating this is a later repair.&lt;br /&gt;The left seat rail has been repaired. &lt;br /&gt;Caning in the back is probably original, although damaged.</text>
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        <element elementId="26">
          <name>Materials</name>
          <description/>
          <elementTextContainer>
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              <text>Mahogany.&lt;br /&gt;Cane.</text>
            </elementText>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
          <elementTextContainer>
            <elementText elementTextId="1752">
              <text>H. 86 &lt;br /&gt;W. 51 &lt;br /&gt;D. 56</text>
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          <name>Parker Numbers</name>
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              <text>OM 6272. See Frederick Parker Archive, Box 55, Ms. FPA050, page 227.</text>
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          <name>Provenance</name>
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              <text>Purchased by Frederick Parker &amp;amp; Sons on 27th October 1930 for £3.11.6.</text>
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        <element elementId="57">
          <name>Notes</name>
          <description/>
          <elementTextContainer>
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              <text>C. Gilbert, ‘Part II, London and Provincial Books of Prices: Comment and Bibliography’, Furniture History, 1982, vol. 18, pp. 11-21.&lt;br /&gt;R. Fastnedge, ‘A Manual for Georgian Chair-Makers’, Country Life, 10 June 1965, pp. 1440-1443.</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF307</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="1746">
                <text>Mahogany side chair with a crossed splat and caned seat.</text>
              </elementText>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="1747">
                <text>1800-1820</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="1748">
                <text>Mahogany side chair with a crossed splat, part caned, and with a caned seat.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
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          <name>Full Description</name>
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              <text>This 19th century chair was made, probably as a fake, in the French rococo style of the mid-18th century. The serpentine crest rail in the back is from an 18th century chair, c.1760, and the rest has been skilfully designed and made to blend with it to give the appearance of a chair of the type published by Chippendale in 1762. The central splat is baluster shaped, pierced and delicately carved with scrolls and acanthus leaves in the rococo manner to suit the period top rail. The moulded back posts are splayed and tapered towards the top. The stuff-over seat is waisted at the sides and serpentine at the front. The seat rails have shaped aprons at the front and sides, framed with scrolling which runs into the front cabriole legs, terminating in scrolled feet. The front seat rail has a carved cartouche in the centre, which echoes that in the crest. There is evidence that the chair originally had H-stretchers, which would not have been likely on an 18th century chair in this style. The upholstery materials are early 20th century, covered in a damask with braid trimming. &lt;br /&gt;&lt;br /&gt;Judging by the purchase price, Frederick Parker must have believed it to be an 18th century chair. It was quite common practice in the antiques and restoration trades in the 19th and early 20th centuries to make up sets of chairs using some original parts to provide at least a degree of authenticity and allow them to be sold as antiques. If the intention was to deceive, as was often the case, they were in fact fakes.</text>
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          <name>Condition</name>
          <description/>
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              <text>The only 18th century element is the top rail. &lt;br /&gt;The feet have been cut down. &lt;br /&gt;The upholstery and cover are early 20th century.</text>
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        <element elementId="26">
          <name>Materials</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1023">
              <text>Mahogany.&lt;br /&gt;Upholstery.</text>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
          <elementTextContainer>
            <elementText elementTextId="1024">
              <text>H. 94&lt;br /&gt;W. 61&lt;br /&gt;D. 61</text>
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          <name>Parker Numbers</name>
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              <text>1974.  2288.  3178.  </text>
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          <name>Provenance</name>
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              <text>Purchased by Frederick Parker from C. Grant in December 1912, for £24.10.0</text>
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              <text>For comparable designs see Thomas Chippendale, The Gentleman and Cabinet-Maker’s Director, London, 1762, Plate XI.</text>
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            <name>Identifier</name>
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                <text>FPF117</text>
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                <text>Mahogany side chair with carved and pierced splat and upholstered seat.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1840-1860 with crest rail c.1760</text>
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                <text>A mahogany side chair with carved and pierced splat, upholstered seat and cabriole legs.</text>
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              <text>This mahogany side chair has a serpentine crest rail with pointed scroll ends above a pierced vase-shaped splat carved with double ‘C’ scrolls, cabochon and acanthus leaves. The splat is flanked by slightly flared, tapering back posts. A stuff-over seat with tapered sides is covered in close-nailed red leather; the chair was reupholstered in 1985, although the horsehair may have been reused. The chair is raised on square-section chamfered legs with pierced brackets; the back legs are slightly flared.&lt;br /&gt;&lt;br /&gt;The chair is based on a design published in the 1st edition of Thomas Chippendale’s The Gentleman and Cabinet-Maker’s Director (1754), plate XII, and subsequently as plates XIII and XIV in the 3rd edition (1762). It is the only chair back design which appears in all three editions of the Director, suggesting it was a popular model. In the 1762 text, Chippendale states: ‘The front Feet are mostly different, for the greater Choice… The Seats look best when stuffed over the Rails, and have a Brass Border neatly chased; but are most commonly done with Brass Nails, in one or two Rows’. &lt;br /&gt;&lt;br /&gt;A set of six chairs corresponding to this design was possibly supplied by Chippendale to Nostell Priory, Yorkshire in c.1765 (Gilbert, 1978).</text>
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              <text>The chair was restored and re-upholstered in 1985; it was finished with varnish which obscures much of the detail and makes judgments on authenticity difficult.&lt;br /&gt;The shoe is loose.&lt;br /&gt;Front and side seat rails are replaced and the rear rail is strengthened.&lt;br /&gt;Brackets at front legs are later.&lt;br /&gt;Four spliced feet.</text>
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          <name>Materials</name>
          <description/>
          <elementTextContainer>
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              <text>Mahogany.&lt;br /&gt;Upholstery.</text>
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          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
          <elementTextContainer>
            <elementText elementTextId="1257">
              <text>H. 97 &lt;br /&gt;W. 61&lt;br /&gt;D. 61</text>
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              <text>Plastic label: ‘PATTERN’&lt;br /&gt;OM 2384. See Frederick Parker Archive, Box 55, FPA050. Page 181.</text>
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              <text>Purchased by Frederick Parker &amp;amp; Sons in March 1913 from Kennedy’s for £8.0.0.</text>
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        <element elementId="57">
          <name>Notes</name>
          <description/>
          <elementTextContainer>
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              <text>Thomas Chippendale, The Gentleman and Cabinet-Maker’s Director, 1st edition, 1754, plate XII; 3rd edition, 1762, plates XIII and XIV and p.3.&lt;br /&gt;C. Gilbert, The Life and Work of Thomas Chippendale, London, 1978, Vol. 1, p. 174; Vol. 2, p. 83, fig. 131.</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF158</text>
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            <description>A name given to the resource</description>
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                <text>Mahogany side chair with carved and pierced splat.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1760-1770</text>
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                <text>Mahogany side chair with pierced splat and upholstered seat.</text>
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          <name>Full Description</name>
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              <text>This mahogany side chair has an undulating crest rail with a central carved spray of flowers. It joins wave-moulded back posts with acanthus carving. The pierced splat has carved interlaced ribbons, flower carving and ‘gothick’ trefoil ends. This joins a ‘shoe’ on the rear seat rail, above a tapered upholstered drop-in seat, covered in a modern green material. The webbing and hessian appear to be 19th century. A fragment of horsehair at the back of the seat implies a previous or original covering. The chair is raised on slightly tapering and chamfered legs that are joined by H-stretchers with a higher back stretcher. The back legs are flared.&lt;br /&gt;&lt;br /&gt;This chair is possibly inspired by designs for Gothic-style furniture published by Thomas Chippendale (1718-79) in the Director (1754-1762). Although it does not relate exactly to any one design, it includes elements from a chair-back in Plate XXI (left) of the 1754 edition. Comparable chairs with similar backs include: a side chair in the Victoria &amp;amp; Albert Museum, London (W.73-1937); a chair at Creech Grange, Dorset (Country Life, 1931); a pair of chairs with a related top rail profile formerly with Christopher Buck Antiques (no. 277415); and chairs in Cescinsky, 1909-11.&lt;br /&gt;&lt;br /&gt;This chair is possibly by a regional maker, suggested by its small scale, the thinness of construction, unusual flower carving and the lack of certainty in the drawing of the back posts and front legs.</text>
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          <name>Condition</name>
          <description/>
          <elementTextContainer>
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              <text>Repair to the top of the crest rail.&lt;br /&gt;The seat frame is broken.&lt;br /&gt;All legs are tipped.&lt;br /&gt;Old repair to right hand back leg.&lt;br /&gt;The chair has a good early finish.</text>
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          <name>Materials</name>
          <description/>
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              <text>Mahogany.&lt;br /&gt;Upholstery.</text>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
          <elementTextContainer>
            <elementText elementTextId="1224">
              <text>H. 99 &lt;br /&gt;W. 56 &lt;br /&gt;D. 56</text>
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          <name>Parker Numbers</name>
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              <text>3004</text>
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          <name>Provenance</name>
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              <text>In the Collection prior to 1993.</text>
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        <element elementId="57">
          <name>Notes</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1227">
              <text>Thomas Chippendale, The Gentleman and Cabinet-Maker’s Director, 1754, Plate XXI (left). &lt;br /&gt;&lt;a href="https://collections.vam.ac.uk/item/O372193/chair-unknown/"&gt;Chair | Unknown | V&amp;amp;A Explore The Collections&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;‘Furniture at Creech Grange’, Country Life, 12 September 1931, p. 283, fig. 3.&lt;br /&gt;H. Cescinsky, English Furniture of the Eighteenth Century, London, 1909-11, vol. II, p. 233, figs. 241-242; p. 234, fig. 243.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF153</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mahogany side chair with drop-in seat.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="1219">
                <text>1765-75</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Mahogany side chair with pierced gothic splat and drop-in seat.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
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          <name>Full Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2011">
              <text>This mahogany side chair has an undulating crest rail with acanthus carving on the rounded corners and waisted and moulded back posts. The pierced fan-shaped splat is carved with Prince of Wales feathers above a foliate pendant. Five vertical struts have a carved cross rail at the mid-point. The splat joins a ‘shoe’ on the rear seat rail. The rails are square section and the drop-in upholstered seat is tapered. The legs are square-section and moulded and joined by an ‘H-form’ cross stretcher, with a higher stretcher between the flared back legs. The upholstery and cover are early 20th century.&lt;br /&gt;&lt;br /&gt;This is a 19th century copy of fan-back chairs dating from the mid-1770s to the 1780s. It can be related to a chair by Gillows described as ‘Fan back chair with arched top rail and plain square legs (67/66)’ (Boynton, 1995). A large set of fan-back chairs was made by Gillows for William Hassell of Penrith in 1774, now at Dalemain, Cumbria (Stuart, 2008).</text>
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          <name>Condition</name>
          <description/>
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              <text>The drop-in seat upholstery and cover are 20th century.</text>
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          <name>Materials</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2013">
              <text>Mahogany.&lt;br /&gt;Upholstery.</text>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
          <elementTextContainer>
            <elementText elementTextId="2014">
              <text>H. 94 &lt;br /&gt;W. 56&lt;br /&gt;D. 53</text>
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          <name>Marks</name>
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              <text>Stamped 226.</text>
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          <name>Provenance</name>
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              <text>In the Frederick Parker Collection prior to 1993.</text>
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          <name>Notes</name>
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          <elementTextContainer>
            <elementText elementTextId="2017">
              <text>ed. L. Boynton, Gillow Furniture Designs 1760-1800, Royston, 1995, no. 251.&lt;br /&gt;S. Stuart, Gillows of Lancaster and London 1730-1840, 2008, Woodbridge, Vol. I, pp. 151-153, Plates 97, 100-101.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF375A</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mahogany side chair with fan-shaped splat and drop-in upholstered seat.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="2009">
                <text>1870-1890</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2010">
                <text>Mahogany side chair with fan-shaped splat and drop-in upholstered seat.</text>
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