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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Full Description</name>
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              <text>This walnut open armchair has an upholstered high back of an unusual shape which tapers upwards to a flat, slightly scrolled crest rail. Out-scrolled ‘shepherd’s crook’ arms join a trapezoid padded seat, which is raised on square-section, chamfered and tapering front legs and similarly raked back legs, joined by a square-sectioned H-form stretcher. The chair is covered in probably 19th century close-nailed dark brown leather. The narrow webbing on the chair-back is 18th century, the wider webbing is later. Likewise, the hessian and webbing of the seat appears to be both 18th and 19th century. On the right arm there are signs of earlier tack marks suggesting a previous upholstery cover.&lt;br /&gt;&lt;br /&gt;This chair is an interesting example of furniture made up in the late 19th or early 20th century using some 18th century parts and re-using materials, like Baltic oak in the back framing and the leather for the upholstery covers. The right arm is typical of c.1725, the left arm is a replica; the legs and stretchers and seat frame are mid-18th century; the tapering shape of the high chair-back has no precedent in the 18th and 19th centuries, and is constructed with re-used Baltic oak, with evidence of band-saw machining, suggesting an early 20th century alteration to a chair already composed of parts of various dates. The chair was probably made with the intention deceive and it is reasonable to assume Frederick Parker bought it on the assumption it was an authentic 18th century piece.</text>
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          <name>Condition</name>
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              <text>The left arm has been replaced.&lt;br /&gt;The back was re-shaped in the early 20th century.&lt;br /&gt;All the legs have been tipped.&lt;br /&gt;The upholstery includes 19th century leather.</text>
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          <name>Materials</name>
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              <text>Walnut.&lt;br /&gt;Oak.&lt;br /&gt;Upholstery.</text>
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          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
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              <text>H. 107&lt;br /&gt;W. 63&lt;br /&gt;D. 60</text>
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          <name>Parker Numbers</name>
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              <text>OM 2314.</text>
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          <name>Provenance</name>
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              <text>Purchased by Frederick Parker &amp;amp; Sons prior to 1911. Ex. Clifford £8.0.0.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF123</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Walnut open armchair with upholstered seat and high back.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1890-1910 with one arm c.1725, legs and seat frame c.1760</text>
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            <description>An account of the resource</description>
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                <text>Walnut open armchair with upholstered seat and high back.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Full Description</name>
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              <text>This mahogany armchair was made up by Parkers in c.1930 using the upper part of a good quality 18th century chair. The moulded, tapered back posts with wave-shaped and pierced crest and rails and the shapely arms resting on curved supports are from a 1770s chair. The concave and tapering upholstered seat, chamfered legs and H-stretchers were made in the 1930s to suit. The rear legs are strengthened by an additional stretcher, and are shortened and fitted with castors, for reasons unknown.&lt;br /&gt;&lt;br /&gt;A simple form of ladderback was used on vernacular chairs from the 17th century and was adapted for fashionable chairs in the 18th century, as here, where the rails are skilfully shaped, pierced and carved. This is one of the few instances where a vernacular form was copied into fashionable furniture, rather than the other way round.</text>
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              <text>The back and arms are 18th century; the rest of the chair is c.1930. &lt;br /&gt;There are tack holes on the back posts, indicating that the back had been upholstered at some time.</text>
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          <name>Materials</name>
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              <text>Mahogany.&lt;br /&gt;Upholstery.&lt;br /&gt;Steel and brass castors.</text>
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          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
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              <text>H. 91&lt;br /&gt;W. 66&lt;br /&gt;D. 63</text>
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          <name>Parker Numbers</name>
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              <text>Painted under seat rail: ‘128/6263’.&lt;br /&gt;Plastic label inside seat rail: ‘OM 6263’.&lt;br /&gt;Associated number: 5189.&lt;br /&gt;The Parker archive records two occasions when reproductions of this chair were made to commission, OM 1443, cost £1.10.0 and OM 1478 made up July 1930, cost £5.</text>
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          <name>Provenance</name>
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              <text>Made by Frederick Parker &amp;amp; Sons c.1930.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF128</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="1072">
                <text>Mahogany ladderback armchair with upholstered seat.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="1073">
                <text>1770-1780 back and arms, remainder c.1930.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A mahogany ladderback armchair with 18th century back and arms, the rest made in the 1930s.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Full Description</name>
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              <text>This mahogany side chair has an undulating channel-moulded crest rail that joins tapering and fluted back posts headed by acanthus-carved corners. The inverted baluster-shaped splat, pierced with interlaced gothic tracery and quatrefoils, joins a ‘shoe’ on the rear seat rail. A stuff-over seat with a serpentine front is covered with close-nailed dark-red striped horsehair cloth, and retains possibly the original grass and horsehair stuffing and 19th century webbing. The straight and square, ripple-moulded front legs have foliate brackets and terminate in square moulded feet which echo the ripple moulding on the legs. The back legs are square-section and flared, with squared undercut feet.&lt;br /&gt;&lt;br /&gt;This form of chair is sometimes described as ‘in the style of Thomas Chippendale’ because the design of the splat bears similarities to chair-back designs in Chippendale's Director – see the original designs for plate 16 in the Director, 1762 (&lt;a href="https://collections.vam.ac.uk/item/O842623/six-designs-for-ribbon-back-drawing-chippendale/"&gt;Victoria &amp;amp; Albert Museum, D.697-1906&lt;/a&gt;). Similar splats are found on a number of mid-18th century mahogany chairs; see for example the following, now in the collection of the National Trust: a set of six side chairs at Saltram, Devon (&lt;a href="https://www.nationaltrustcollections.org.uk/object/871277"&gt;NT 871277&lt;/a&gt;); a side chair at Osterley House, Middlesex (&lt;a href="https://www.nationaltrustcollections.org.uk/object/771767.3"&gt;NT 771767.3&lt;/a&gt;); a set of five side chairs at Dunster Castle, Somerset (&lt;a href="https://www.nationaltrustcollections.org.uk/object/725800"&gt;NT 725800&lt;/a&gt;) and a side chair at Hatchlands Park, Surrey (&lt;a href="https://www.nationaltrustcollections.org.uk/object/1166535"&gt;NT 1166535&lt;/a&gt;). The details of the splats differ slightly but appear to be derived from the Chippendale design. The proliferation of chairs with this type of interlaced splat suggests a number of individual craftsmen working to a particular as yet unidentified design.&lt;br /&gt;&lt;br /&gt;Interestingly, a set of six chairs comprising two armchairs and four side chairs in the collection of the National Trust at Sizergh Castle, Cumbria, is attributed to Gillows of Lancaster (&lt;a href="https://www.nationaltrustcollections.org.uk/object/998125.1"&gt;NT 998125.1-6&lt;/a&gt;). This set is thought to be one referred to in a letter of February 1765 to Charles Strickland, and attributed to Gillows by Susan Stuart on the basis of its close resemblance to a very similar chair in the collection of Southampton University, which is signed 'Gillows' on the seat frame (Stuart, p. 147, Plate 91).&lt;br /&gt;&lt;br /&gt;This side chair (FPF132) is distinctive for its surviving early grass and horsehair stuffing, which suggests a provincial maker. For example, Wright &amp;amp; Elwick of Wakefield, contemporaries of Chippendale, and who subscribed to the 1754 edition of the Director, are known to have used marsh grass in their upholstery: see a &lt;a href="https://www.christies.com/lot/lot-6153755"&gt;stool, part of the seat furniture supplied by or under the direction of Chippendale, possibly by Wright and Elwick, to Nostell Priory, Yorkshire&lt;/a&gt;, which was sold by Christie’s in 2018.</text>
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          <name>Condition</name>
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              <text>Back left leg and front left foot replaced.&lt;br /&gt;There is a repair on the crest rail.&lt;br /&gt;The splat has split and has repairs.&lt;br /&gt;The shoe has had repairs to the rear face, unfinished.</text>
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          <name>Materials</name>
          <description/>
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              <text>Mahogany.&lt;br /&gt;Upholstery.</text>
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          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
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              <text>H. 97&lt;br /&gt;W. 58&lt;br /&gt;D. 59</text>
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              <text>Inscribed in ink on the back of the front seat rail ‘YS No. 15’.</text>
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          <name>Parker Numbers</name>
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              <text>Cloth label stitched to webbing, marked with 3703.&lt;br /&gt;2957.</text>
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          <name>Provenance</name>
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              <text>Purchased by Frederick Parker &amp;amp; Sons pre 1915 from Kennedy £5.5.0.</text>
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              <text>Susan Stuart, Gillows of Lancaster and London 1730-1840, Antique Collectors' Club, 2008, vol. I, pp. 144-147, Plates 88, 91.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF132</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="1082">
                <text>Mahogany side chair with upholstered seat.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1760-1770</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="1084">
                <text>Mahogany side chair with pierced interlaced splat and upholstered seat.</text>
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              <text>A fully upholstered side chair with a scrolled back and squared mahogany legs, straight at the front and raked at the back, with chinoiserie brackets. The chair is generally in mid to late-18th century style but was made in the late 19th or early 20th century. &lt;br /&gt;&lt;br /&gt;There is no clear precedent in 18th-century furniture for a fully scrolled back; ‘paper scrolls’ were sometimes carved into the crest rails of chairs (see FPF083, for example) and a raised scroll could be a feature of upholstered chairs such as those by Thomas Phill for Canons Ashby, Northamptonshire in 1715, which he described as ‘of ye newest fashion’(Bowett, 2009). Another example of a raised scroll crest can be seen in FPF030, with painted leather covers. &lt;br /&gt;&lt;br /&gt;So it is possible that the full scroll along the back of the chair shown here was derived from these early 18th-century raised scrolls. Alternatively it might have been influenced by the fashion for scrolled arms and backs of settees and chaises introduced by Henry Holland in furniture for Southill in around 1795 and included in Thomas Sheraton’s second book of designs, The Cabinet Dictionary, 1803, as a Grecian style (see Collard, 1985). Greek revival became very fashionable during the Regency period and scrolled arms and backs of chairs and settees were often included amongst the palm leaves, lyres, Greek keys, tablets and ram’s heads typical of the period.&lt;br /&gt;&lt;br /&gt;The legs are more aligned to chairs of the 1750s and ‘60s, with their square form and chinoiserie brackets, similar to those illustrated by Thomas Chippendale in the Gentleman and Cabinet Maker’s Director, 1754, Plate XXIV and 1763, Plate 26. See also FPF146 for a mahogany armchair in chinoiserie style with similar square legs and brackets.&lt;br /&gt;&lt;br /&gt;This is one of a large set of chairs made for the Earl of Buckingham at Hampden House, Great Missenden, Buckinghamshire, of which twelve remain in the house. Recent restorations showed the backs to be made (probably) of ash. On this chair the back framing is not visible, but the mahogany legs and brackets date from c.1900 and the seat rails are re-used beech. There is no evidence of any early upholstery materials. It is therefore assumed it was made in c.1900, re-using original seat rails. The upholstery is 20th century; the top cover was previously red damask and the chair has since been re-covered in yellow damask.</text>
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              <text>Made c.1900 as a copy, re-using earlier beech seat rails. &lt;br /&gt;20th century upholstery, later re-covered.</text>
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          <description/>
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              <text>Mahogany.&lt;br /&gt;Beech.&lt;br /&gt;Upholstery.</text>
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          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
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              <text>H. 100&lt;br /&gt;W. 53&lt;br /&gt;D. 66</text>
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              <text>493.  1629.  Note on record: old 1629 in stock prior to 1911 £1.0.0.</text>
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          <name>Provenance</name>
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              <text>Originally in Hampden House, Great Missenden, Buckinghamshire. Acquired by Frederick Parker &amp;amp; Sons pre-1911.</text>
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          <name>Notes</name>
          <description/>
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              <text>Adam Bowett, Early Georgian Furniture, Antiques Collectors Club, 2009, p.152. &lt;br /&gt;Frances Collard, Regency Furniture, Antique Collectors’ Club, 1985, pp. 45 and 72, 79 and 102-104.&lt;br /&gt;Thomas Chippendale, The Gentleman and Cabinet Maker’s Director, 1754, Plate XXIV and 1763, Plate 26.</text>
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            <name>Identifier</name>
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                <text>FPF135</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="1094">
                <text>Upholstered mahogany side chair with scroll back.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1890-1910.</text>
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                <text>An upholstered side chair with mahogany legs and a scroll back.</text>
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          <name>Full Description</name>
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              <text>This mahogany side chair has a moulded serpentine crest rail carved with anthemion and acanthus leaves. It has tapering and moulded back posts with a pierced splat with interlaced loops and carved acanthus leaves which slots into an unusual cusped ‘shoe’ at the rear of the seat. The moulding on the upper parts of the back includes a raised and rounded centre which tapers off midway. A padded drop-in seat covered with a 20th century dark red flowered velvet sits on a square-section seat rail. The chair is raised on square-section front legs and raked back legs joined by an H-form stretcher with a higher back stretcher. The striped webbing is 19th century and unusual in being laid only in one direction, under a later 19th century hessian. The chair is in good original condition and was well-made, probably by a provincial maker. It has had arms fitted at one stage, which are now removed.&lt;br /&gt;&lt;br /&gt;The chair back is after a design by Thomas Chippendale (1718-79) in the 3rd edition of the Director, 1762, Plate XVI, no. 6. This pattern was almost certainly inspired by rococo designs from Continental Europe including those by Gaetano Brunetti (1736) and William De La Cour, as published in his First Book of Ornament (1741) (Bowett, p. 198, Plate 4:111). In 1751, and prior to the publication of the 1st edition of the Director (1754), Matthias Darly, who was to engrave many of Chippendale’s designs in the Director, included several designs for chair backs with interlaced splats in his Second Book of Chairs (1751), reprinted by Robert Manwaring in The Chair-Maker’s Guide (1766) (Gilbert, p. 38 and figs. 74-78).&lt;br /&gt;&lt;br /&gt;The dominant feature of this chair-back is the splat, which was cut from a thick board of fine-quality mahogany, carved and pierced and slightly chamfered on the back edges to give a lighter feeling (Hughes, 1966). The chamfering is a normal feature on more sophisticated chairs of the second half of the 18th century. The splat is similar to one that features on a set of twenty-four mahogany side chairs supplied in c. 1765 by John Linnell (1729-96) to Robert Child for Middleton Park, Oxfordshire (Hayward, Kirkham, vol. II, p. 26, fig. 46). This same model chair was commissioned by William Drake either for Shardeloes or his London house in the same period (ibid., pp. 26-27, fig. 47). The design for the Linnell chair is in the Victoria &amp;amp; Albert Museum, London (E.113 1929).</text>
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              <text>Evidence of arms fitted later and subsequently removed.</text>
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          <description/>
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              <text>Mahogany.&lt;br /&gt;Upholstery.</text>
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          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
          <elementTextContainer>
            <elementText elementTextId="1111">
              <text>H. 53&lt;br /&gt;W. 91&lt;br /&gt;D. 53</text>
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          <name>Parker Numbers</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1112">
              <text>3810. 3213. 3214.</text>
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          <description/>
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              <text>Purchased by Frederick Parker &amp;amp; Sons on 1 November 1916 from Millar (probably Cecil Millar) for £5.10.</text>
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          <name>Notes</name>
          <description/>
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              <text>Thomas Chippendale, The Gentleman and Cabinet-Maker's Director, 3rd Edition, London, 1762, Plate XVI.&lt;br /&gt;G. Bernard Hughes, ‘The Modern Chairs of Chippendale’, Country Life, 11 August 1966, p. 345.&lt;br /&gt;Adam Bowett, Early Georgian Furniture 1715-1740, Antique Collectors' Club, 2009, p. 198, Plate 4:111.&lt;br /&gt;Christopher Gilbert, ‘The Early Furniture Designs of Matthias Darly’, Furniture History, vol. 11, 1974, p. 38 and figs. 74-78).&lt;br /&gt;H. Hayward, P. Kirkham, William and John Linnell: Eighteenth Century London Furniture Makers, London, 1980, vol. II, pp. 26-27, figs. 46-47.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF137</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="1105">
                <text>Mahogany side chair with upholstered drop-in seat</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1770-1780</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Mahogany side chair with a pierced interlaced splat and drop-in upholstered seat</text>
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              <text>This Windsor chair from the late 18th century has a double bow, one forming the back and the other curved to form the arms, and a distinctive carved and pierced back splat. The cabriole front legs and straight, turned back legs are typical of such chairs, although the cruciform stretchers replace what would normally have been a ‘crinoline’ stretcher, curved between the front legs and with short connecting stretchers to the back legs. The chair is made of yew, apart from the seat which is mahogany, and it has all been stained to give the appearance of mahogany. &lt;br /&gt;&lt;br /&gt;This mixture of woods is unusual; the seats of Windsor chairs were traditionally made of elm, although the best country-made chairs were entirely of yew. Mahogany Windsor chairs for the gentry were likely to be used in rooms such as a library or entrance hall, or in the rooms of senior servants. The quality and style of the carving on the splat, with wheat-ears, husks and paterae, suggest a London maker and gentry-class client. A similar chair is shown in Bernard Cotton, The English Regional Chair, as Fig TV18, with the trade card of W. Webb, Newington, Surrey (fl. 1792-1808). A small number of other chairs show similar work; these include one in a private collection, a set of four sold at Phillips on 13th June 1978 and another at Christie’s, South Kensington on 4th July 2002.&lt;br /&gt;&lt;br /&gt;Windsor chairs have been made in huge quantities and in a great variety of forms from the early 18th century right up to the present day. They are robust and comfortable, and made, usually, of native woods using simple tools. In their most basic form they have suited all but the poorest households, and as in this example, finely made in yew and mahogany, they also graced the homes of the gentry. In some respects the Windsor might be regarded as the quintessential English chair.</text>
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              <text>The chair has been extensively and somewhat crudely restored: the cross stretcher is an unsuitable replacement; the underside of the seat has been planed smooth, stained and coloured, losing the original surface and tool-marks; a section of wood at the front of the seat has been replaced; the back legs have been poorly fitted and although of the correct form and date, could be from another chair; and the whole chair has been coated with dark varnish, perhaps to disguise the restorations.</text>
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          <description/>
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              <text>Yew.&lt;br /&gt;Mahogany.</text>
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          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
          <elementTextContainer>
            <elementText elementTextId="1122">
              <text>H. 104&lt;br /&gt;W. 61&lt;br /&gt;D. 61</text>
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              <text>Purchased by Frederick Parker &amp;amp; Sons, 15th February 1912 at Christie’s for £26.0.0.</text>
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              <text>2159. 2765.</text>
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              <text>Exhibited at the British Antique Dealers’ Association’s Exhibition of Art Treasures at the Grafton Galleries, London, 1928, no.177. &lt;br /&gt;Exhibited at High Wycombe for Queen Elizabeth II’s visit in 1962.&lt;br /&gt;For a full account of the Windsor chair see Bernard D Cotton, The English Regional Chair, Antique Collectors’ Club, 1990. The Cotton Collection of English Regional Chairs is owned by the Museum of the Home, London, and includes a comprehensive collection of name-stamped Windsor chairs.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF142</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Yew and mahogany hoop-back Windsor armchair with cabriole legs.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1760-1790</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="1118">
                <text>Yew and mahogany hoop-back Windsor armchair with cabriole front legs and a carved and pierced back splat.</text>
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              <text>This mahogany side chair has an undulating crest rail carved with a central stylised acanthus leaf, and lobed ends. The inverted baluster pierced, gothic splat joins a ‘shoe’ fitted to the top of the rear seat-rail. The splat is flanked by flared, tapering back posts. A drop-in seat fits within tapering and square moulded seat rails, and the chair is raised on square-section and chamfered legs, joined by an H-stretcher and a higher back stretcher. The back legs are flared. The upholstery and red leather cover is late 19th or early 20th century.&lt;br /&gt;&lt;br /&gt;This is a good quality mid- to late-19th century reproduction of a chair of the 1750s, as indicated by the flatness of the splat and the lack of crispness of the carving. The presence of plaster in the grain shows that the chair was French-polished, which was a common finish for 19th century furniture but not earlier. It was probably made as a fake and sold as an original 18th century chair, and was likely bought by Frederick Parker as such.&lt;br /&gt;&lt;br /&gt;The chair makes an interesting comparison with 18th century originals from a time when the pattern books were beginning to be re-published. It was possibly inspired by designs in Thomas Chippendale’s The Gentleman and Cabinet-Maker’s Director (1754, 1755, 1762), or Ince &amp;amp; Mayhew’s The Universal System of Household Furniture (1762); the closest design to this chair is plate IX in Ince &amp;amp; Mayhew.</text>
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              <text>The drop in seat retains its original 19th century frame.&lt;br /&gt;Old repair to left hand front leg.</text>
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              <text>Mahogany.&lt;br /&gt;Upholstery.</text>
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          <description>The physical size of the object</description>
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              <text>H. 94&lt;br /&gt;W. 56&lt;br /&gt;D. 53</text>
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              <text>OM 269. See Frederick Parker Archive, Box 55, FPA050. Page 139.</text>
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              <text>Purchased by Frederick Parker &amp;amp; Sons pre 1911 for £2.15.0.</text>
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              <text>Thomas Chippendale, The Gentleman and Cabinet-Maker’s Director, 1754, 1755, 1762.&lt;br /&gt;Ince &amp;amp; Mayhew, The Universal System of Household Furniture, 1762, plate IX, top left.</text>
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            <name>Identifier</name>
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                <text>Mahogany side chair with pierced splat and drop-in seat.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1850-1870</text>
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                <text>Mahogany side chair with pierced splat and drop-in seat.</text>
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              <text>The back of this walnut side chair has a dished crest rail above four horizontal, shaped rails, or ‘rungs’, in a style commonly referred to as a ladder-back. The rails and posts are concave, i.e. curved to fit the sitter. A stuff-over and close-nailed seat with tapered sides is raised on square chamfered front legs and flared back legs, joined with peripheral stretchers; those at the front and back are higher than those at the sides. The stuff-over seat and tan leather cover with close nailing are a later replacement done in the late 19th or early 20th century.&lt;br /&gt;&lt;br /&gt;The ladder-back is a common English vernacular chair form, possibly of Dutch origin; it is a rare example of a style transmission from vernacular to fashionable furniture (Bowett, 2009). This chair has been tentatively attributed by furniture historian Christopher Gilbert to the Clerkenwell maker, Giles Grendey (1693-1780), and this is reinforced by comparison with other Grendey chairs. For example, it is similar to a set of six walnut ladder-back chairs in Newport Church, Essex, bearing ‘a fragmentary but recognisable’ label for Giles Grendey (Jervis, 1974). Dating from c. 1750, they would originally have had rush seats. However, the Frederick Parker chair does not have mouldings on the legs and back posts like the Newport chairs, nor are its stretchers chamfered. Another set is in the Museum of the Home (9/2010-1 to -6), possibly the Newport Church set; one chair (9/2010-2) bears a partial Grendey trade label, and is stamped ‘TC’ and ‘VII’ (Jervis, 1993).&lt;br /&gt;&lt;br /&gt;The present chair is stamped ‘RW’ on the back seat rail; this stamp appears on other seat-furniture attributed to Grendey, including a set of probably twelve chairs and a settee, of which six chairs (plus the unstamped settee) are in the Leverhulme Collection, four were acquired in 1975 by Noel Terry for Fairfax House, York, and a further pair were sold at Christie's, London, in June 1981 (Wood, 2008).&lt;br /&gt;&lt;br /&gt;A similar chair back can be found on an earlier set of six mahogany ladder-back chairs, supplied by Elizabeth Hutt &amp;amp; Son of St. Paul’s Churchyard, London, in 1739 to Bowringsleigh, Devon. This is the earliest documented example of fine as opposed to vernacular English ladder-back chairs (Jervis, 1993).</text>
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              <text>All legs have been tipped.&lt;br /&gt;There are two reinforcing metal brackets at the back of the crest rail.</text>
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          <description/>
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              <text>Virginia walnut (juglans nigra).&lt;br /&gt;Beech seat rails.&lt;br /&gt;Upholstery.</text>
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          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
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              <text>H. 97&lt;br /&gt;W. 56&lt;br /&gt;D. 58</text>
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              <text>Stamped ‘RW’ on the back of the lower horizontal rail of the chair back.</text>
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          <name>Parker Numbers</name>
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              <text>OM 5956. See Frederick Parker Archive, Box 55, FPA050. Page 150.</text>
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              <text>Purchased by Frederick Parker &amp;amp; Sons on 17 December 1920 for £10.0.0.</text>
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          <name>Notes</name>
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              <text>Adam Bowett, Early Georgian Furniture 1715-1740, Antique Collectors' Club, 2009, p. 186, Plate 4:87.&lt;br /&gt;Simon Jervis, ‘A Great Dealer in the Cabinet Way: Giles Grendey (1693-1780)’, Country Life, 6 June 1974, p. 1419 and fig. 4.&lt;br /&gt;Simon Jervis, ‘A 1739 Suite of Seat Furniture at Bowringsleigh’, Furniture History, 1993, pp. 42-43, Figure 4.&lt;br /&gt;Museum of the Home, Grendey chairs, see: &lt;a href="https://collections.museumofthehome.org.uk/object14390"&gt;Museum of the Home collections | 9/2010-2&lt;/a&gt;&lt;br /&gt;Lucy Wood, The Upholstered Furniture in the Lady Lever Art Gallery, Yale, 2008, vol. I, no. 20, pp. 245-263.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF144</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Walnut ladder-back side chair.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1745-1755</text>
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                <text>Walnut ladder-back side chair with upholstered seat.</text>
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          <name>Full Description</name>
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              <text>A walnut armchair in chinoiserie style, with a square back formed around a diagonal lattice or ‘paling’ of straight rails. The arms curve outwards to meet curved arm supports rising from the seat rail, enclosing further latticework which is curved in two dimensions. The front legs are straight while those at the back are flared to the rear. The front legs have chinoiserie brackets under the seat rails, although two are missing. The drop-in seat is covered with 20th century fabric. The lattice work in the back has been replaced.&lt;br /&gt;&lt;br /&gt;The chair is similar to the designs for ‘Chinese Chairs’ published by Thomas Chippendale in his Director in 1754 and 1763, where he wrote that such chairs were ‘after the Chinese manner, and are very proper for a Lady’s Dressing Room, especially if it is hung with India paper. They likewise suit Chinese Temples.’ Ince and Mayhew published designs for Dressing Chairs in Chinese styles in 1762, as did Robert Manwaring in 1765. None of these is exactly like the chair under discussion, which is a relatively plain interpretation with no added carving or ornament, and yet complex to make. It is somewhat unusual in that is made in walnut, when mahogany would surely have been the preferred timber in terms of strength for a chair with such slender rails in the back and sides.</text>
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              <text>In good condition. The lattice rails in the back are replaced, but well made.&lt;br /&gt;Two of the leg brackets are missing. &lt;br /&gt;The upholstery is 20th century.</text>
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              <text>Walnut.&lt;br /&gt;Upholstery.</text>
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          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
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              <text>H. 86&lt;br /&gt;W. 64&lt;br /&gt;D. 50</text>
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              <text>Plastic label inside seat rail: ‘OM 877’. &lt;br /&gt;Associated numbers: 2039 or 2049.</text>
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              <text>Acquired by Frederick Parker &amp;amp; Sons pre 1914, valued at £9.0.0.</text>
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              <text>Thomas Chippendale, The Gentleman and Cabinet Maker’s Director, London, 1754, plate XXIV and 1763, plates XXVI to XXVIII. &lt;br /&gt;Ince and Mayhew, The Universal System of Household Furniture, London, 1762, plate XXXV. &lt;br /&gt;Manwaring, Robert, The Cabinet and Chair-Maker’s Real Friend and Companion, London, 1765, plates 10, 11 and 12. &lt;br /&gt;These can all be found in Pictorial Dictionary of 18th Century Furniture Design, The Printed Sources, compiled by Elizabeth White, Antique Collectors Club, 1990.</text>
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            <name>Identifier</name>
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                <text>FPF146</text>
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            <description>A name given to the resource</description>
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                <text>Walnut armchair with chinoiserie lattice back and sides and drop-in seat.</text>
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            <name>Date</name>
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                <text>1760-1780</text>
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                <text>A chinoiserie style walnut armchair with latticework back and side panels, and a drop-in seat.</text>
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              <text>This mahogany ladder-back side chair has four graduated, carved and pierced serpentine rails, or ‘rungs’, between tapering and fluted back posts. The chair back is concave, flared and with pointed top corners. The tapering stuff-over seat is raised on square-section, moulded legs joined by an H-stretcher, with a rear stretcher set slightly higher. The upholstery and satin damask cover are 20th century.&lt;br /&gt;&lt;br /&gt;Fashionable ladder-back chairs were derived from the vernacular form which was common in England and on the Continent from at least the 17th century. The first known instances of fashionable English ladder-back chairs are those made by Elizabeth Hutt &amp;amp; Son of St Paul's Churchyard in 1739 (Jervis, 1993) and by Giles Grendey in around 1750 (Jervis, 1974). See also FPF 144, attributed to Grendey.&lt;br /&gt;&lt;br /&gt;Chairs of a similar style to this more elaborate example (FPF 147) were made by Gillows of Lancaster in the 1770s and 1780s, who described them as ‘Fiddle back’ or ‘Old Splat’ chairs. The former term seems to have originated from a fanciful resemblance between the pierced rails of the ladder-back and the sound holes of a violin (Stuart, 2008).</text>
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        <element elementId="52">
          <name>Condition</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1165">
              <text>In good condition.&lt;br /&gt;Upholstery replaced.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="26">
          <name>Materials</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1166">
              <text>Mahogany.&lt;br /&gt;Upholstery.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
          <elementTextContainer>
            <elementText elementTextId="1167">
              <text>H. 94&lt;br /&gt;W. 56&lt;br /&gt;D. 58</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Parker Numbers</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1168">
              <text>3822.  4373</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1169">
              <text>Purchased by Frederick Parker &amp;amp; Sons, November 1916, ex Dare, £9 10s</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Notes</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1170">
              <text>Simon Jervis, 'A 1739 Suite of Seat Furniture at Bowringsleigh', Furniture History, 1993, pp.40-43.&lt;br /&gt;Simon Jervis, ‘A Great Dealer in the Cabinet Way: Giles Grendey (1693-1780)’, Country Life, 6 June 1974, p. 1419 and fig. 4.&lt;br /&gt;Susan Stuart, Gillows of Lancaster and London 1730-1840, Antique Collectors' Club, 2008, Vol. 1, p. 134, Plate: Chair Patterns 1a, no. 11; pp. 157-158, Plate 107.&lt;br /&gt;A set of fourteen ladder-back chairs of related model was sold at Christie’s, New York, 10 May 2018, lot 678.&lt;br /&gt;A related armchair is at Mompesson House, Wiltshire, see&lt;br /&gt;&lt;a href="https://www.nationaltrustcollections.org.uk/object/724181"&gt;Ladderback chair 724181 | National Trust collections&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This chair is currently on loan to No 1 Royal Crescent, Bath.</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="1160">
                <text>FPF147</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1161">
                <text>Mahogany ladder-back side chair.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1162">
                <text>1770-1785</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1163">
                <text>Mahogany ladder-back side chair with upholstered seat.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
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