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              <text>This walnut side chair has a tall back, curved in both planes, with an undulating crest rail joining turned back posts. The solid baluster-shaped splat has a pierced diamond-form motif at the top and is tenoned into a raised ‘shoe’ on the rear seat-rail. The beech seat-rails are walnut-veneered with the top edges formed of moulded cross-grain walnut; the rails are shaped along the lower edges to lighten the appearance of the chair. The drop-in seat with tapering sides has been upholstered with a 20th century woven tapestry. The chair has cabriole front legs with shaped ears and ‘C’ scroll carving at the edges, terminating in pad feet. The flared back legs are turned, with square-sectioned blocks at the joints and heels. The legs are joined by a turned ‘H’-form stretcher with blocks, and by a higher, turned back rail.&lt;br /&gt;&lt;br /&gt;This form of chair was commonly known as an ‘India back’ chair in the 18th century. With its distinctive curved splat, turned upright posts and crest rail resembling a milkmaid’s yoke, this term was a reference to Chinese chairs on which they were based – the term ‘India’ encompassing the whole of South and South-east Asia. The chair-type was also sometimes called a ‘bended’, ‘crook’d’ or ‘sweep’ back chair in contemporary sources. The introduction of the ‘India back’ is considered ‘the most radical and far-reaching design innovation of the eighteenth century’ (Bowett, 2009).&lt;br /&gt;&lt;br /&gt;The reverse-curved or cabriole leg is an innovation that ‘more than any other characterised early Georgian chair design’ (ibid.). Although it has been suggested that the precursor for the cabriole leg is found on Chinese k’ang tables. The form probably reached England via France; engravings by Pierre Le Pautre (c. 1659-1744) and André-Charles Boulle (1642-1732) incorporated cabriole legs on different types of furniture (ibid.). The earliest documented example of English cabriole leg chairs to survive is a set of six chairs (together with a sofa and firescreen) at Canons Ashby, Northamptonshire, the chairs supplied in 1715 by Thomas Phill (d. 1727) (ibid.; NT 494468).&lt;br /&gt;&lt;br /&gt;The present chair can be compared to another in the Frederick Parker Collection, see FPF045, which is illustrated in Bowett, 2009.</text>
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              <text>The seat frame is replaced and the upholstery is later.&lt;br /&gt;A piece of the seat-rail moulding is missing.&lt;br /&gt;The front legs have been replaced below the knee – prior to Frederick Parker.&lt;br /&gt;Both back legs are tipped.&lt;br /&gt;Right hand stretcher and cross stretcher are replaced.&lt;br /&gt;This chair is a good example of early restoration.</text>
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              <text>Walnut and walnut veneer. &lt;br /&gt;Beech.&lt;br /&gt;Upholstery.</text>
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          <description>The physical size of the object</description>
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              <text>H. 104 &lt;br /&gt;W. 59 &lt;br /&gt;D. 55</text>
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              <text>Marked ‘VII’ suggesting that this chair was part of a larger set of chairs.</text>
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          <name>Parker Numbers</name>
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              <text>OM 2246. See Frederick Parker Archive, Box 55, Ms. FPA050, page 145.</text>
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              <text>In the collection prior to 1985. Note in folder: ‘New purchase London GH-U’</text>
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              <text>A. Bowett, Early Georgian Furniture 1714-1740, Woodbridge, 2009, pp. 150-151, 156, 163, Plates 4:37-4:38.&lt;br /&gt;A related chair with similar back legs and stretcher is in the collection of the National Trust at Trerice, Cornwall (&lt;a href="https://www.nationaltrustcollections.org.uk/object/336836"&gt;NT 336836&lt;/a&gt;). &lt;br /&gt;Another close example is in the Victoria &amp;amp; Albert Museum, London (&lt;a href="https://collections.vam.ac.uk/item/O119026/chair-unknown/"&gt;W.49:2-1981&lt;/a&gt;). &lt;br /&gt;For the Canons Ashby chairs, see: &lt;a href="https://www.nationaltrustcollections.org.uk/object/494468"&gt;Untitled 494468 | National Trust collections&lt;/a&gt;</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF059</text>
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            <description>A name given to the resource</description>
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                <text>Walnut side chair with upholstered drop-in seat.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1715-1720</text>
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                <text>Walnut side chair with baluster-shaped back splat and upholstered drop-in seat.</text>
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          <name>Full Description</name>
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              <text>This walnut open armchair has a ‘compass’ (rounded) upholstered seat and back, with no gap between the back and seat. The shaped and out-scrolled walnut arms rest on curved supports which are fitted to the seat rails. The chair is raised on front cabriole legs with a carved scallop shell and pendant bellflower on the knees and shaped ears and ‘C’ scroll carving at the edges, which terminate in elongated pad feet. The back legs are raked with pad feet. Parts of the webbing and base cloth are 19th century and there is one red thread caught under a tack – evidence of earlier upholstery; the chair has been recovered in the 20th century with a damask.&lt;br /&gt;&lt;br /&gt;This armchair can be compared to a set of twelve side chairs together with two settees and a couch made for the Yellow Drawing Room at Houghton Hall, Norfolk (Bowett, 2009). The inclusion of the increasingly popular shell motif on the knees probably evolved from the leafy scroll or plume found on contemporary Parisian chairs. It has been described as: ‘a metaphor for the more general transition from the baroque to neo-Palladian style in English furniture’ (ibid.). Another similar set of four side chairs with upholstered ‘compass’ backs is at the Treasurer’s House, York (ibid.; &lt;a href="https://www.nationaltrustcollections.org.uk/object/592766"&gt;NT 592766&lt;/a&gt;).&lt;br /&gt;&lt;br /&gt;The arms on this chair are replacements in the period style. Armchairs of this type are less common than side chairs, no doubt because often large sets of side chairs were made with accompanying pairs of open armchairs. For similar open armchairs, see one bearing the label Robert Webb, c. 1720-25, illustrated in Gilbert, 1996; an armchair at Paycocke’s House, Essex (&lt;a href="https://www.nationaltrustcollections.org.uk/object/717472"&gt;NT 717472&lt;/a&gt;) and a ‘writing chair’ in Cescinsky, 1929. For similar arms, see a pair of walnut library armchairs, c. 1720, at Houghton (Edwards, 1954).</text>
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              <text>The arms and one arm support are replaced.&lt;br /&gt;One front leg replaced.&lt;br /&gt;Repairs to the back legs, feet tipped.</text>
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              <text>Walnut.&lt;br /&gt;Beech (back legs).&lt;br /&gt;Upholstery.</text>
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          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
          <elementTextContainer>
            <elementText elementTextId="857">
              <text>H. 97 &lt;br /&gt;W. 76 &lt;br /&gt;D. 61</text>
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          <name>Parker Numbers</name>
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              <text>OM 610, pattern no. 9100. See Frederick Parker Archive, Box 55, Ms. FPA050, p.13.</text>
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              <text>Purchased by Frederick Parker &amp;amp; Sons pre 1914 from Brackett for £8.10.0.&lt;br /&gt;Note in folder: ‘New purchase London GH-U’.</text>
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          <name>Notes</name>
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              <text>A. Bowett, Early Georgian Furniture 1715-1740, Woodbridge, 2009, pp. 168, 174-175, Plates 4:50, 4:61.&lt;br /&gt;C. Gilbert, Pictorial Dictionary of Marked London Furniture, 1700-1840, London, 1996, p. 463, Fig. 938.&lt;br /&gt;H. Cescinsky, English Furniture Gothic to Sheraton, Grand Rapids, 1929, p. 190.&lt;br /&gt;R. Edwards, The Dictionary of English Furniture, vol. I, revised edition, Woodbridge, 1954, p. 262, Fig. 111.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF062</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Walnut open armchair with upholstered seat and back.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1725-1740</text>
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                <text>Walnut open armchair with upholstered seat and back and cabriole legs.</text>
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          <name>Full Description</name>
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              <text>This walnut side chair has a tall narrow back with a curved crest rail which has a raised central section and cusped corners. There is a baluster-shaped walnut-veneered splat, curved to fit the human form, which is pierced at the top in the shape of a keyhole, and joined at the base to a ‘shoe’ on the rear seat rail. The square-section back posts are straight and tapering. The seat rail has rounded corners at the front and is tapered towards the back, with a moulded top edge to retain the drop-in seat. The seat frame and upholstery are replaced and the cover is 20th century floral tapestry. The chair is raised on four cabriole legs, all with carved knees and terminating in square pad feet. &lt;br /&gt;&lt;br /&gt;The banister-back chair marks a transition in around 1720 from the Chinese-style rectangular back to a more Anglicised version (Bowett, 2009). Another 18th century term for this form was the ‘pedestal’ back, as described in furniture-makers’ bills. Although this chair has straight rather than curved back posts, the splat is curved and as such it could be described as a ‘bended back’ or ‘India back’ chair. The term ‘India’ encompassed the whole of South and South-east Asia, including China; here, the ‘milkmaid’s yoke’ crest rail and curved splat are influenced by Chinese chairs. The use of ‘Indian’ to describe such chairs appears, for example, in the trade card of Thomas Cleare, who worked at the sign of the Indian Chair, St. Paul’s Churchyard, in the 1720s and 30s (Gilbert, 1996). Comparable chairs in the Frederick Parker collection include FPF045 and FPF059, which have similar piercings at the top of the splats.&lt;br /&gt;&lt;br /&gt;The reverse-curved or cabriole leg is an innovation that ‘more than any other characterised early Georgian chair design’. It seems likely this had a French origin. Engravings by Pierre Le Pautre (c. 1659-1744) and André-Charles Boulle (1642-1732) incorporated cabriole legs on different types of furniture from around 1700 (ibid.). The earliest documented example of English cabriole leg chairs to survive is a set of six (together with a sofa and firescreen) at Canons Ashby, Northamptonshire; the chairs were supplied in 1715 by Thomas Phill (d. 1727). See &lt;a href="https://www.nationaltrustcollections.org.uk/object/494468"&gt;Untitled 494468 | National Trust Collections&lt;/a&gt;</text>
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          <name>Condition</name>
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              <text>The chair is in poor condition with extensive repairs and is now fragile.&lt;br /&gt;Both back posts are replaced, faced with walnut veneer (possibly original) and stained at the back. The back of the chair is loose because of the repairs.&lt;br /&gt;Repairs to crest rail at joints with posts and splat.&lt;br /&gt;Both back feet tipped&lt;br /&gt;Back left leg is loose at joint with seat.</text>
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          <name>Materials</name>
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              <text>Walnut.&lt;br /&gt;Upholstery.</text>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
          <elementTextContainer>
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              <text>H. 104 &lt;br /&gt;W. 56&lt;br /&gt;D. 53</text>
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          <name>Parker Numbers</name>
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              <text>6106, 4957, 8</text>
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              <text>Purchased by Frederick Parker &amp;amp; Sons on 20th June 1927 from Mr H. G. P. for £7 15s.</text>
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          <name>Notes</name>
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              <text>A. Bowett, Early Georgian Furniture 1715-1740, Antique Collectors' Club, 2009, pp. 161, 150, 151.&lt;br /&gt;Christopher Gilbert, Pictorial Dictionary of Marked London Furniture, Furniture History Society and Maney, 1996, p.145, plate 214.</text>
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            <name>Identifier</name>
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                <text>FPF066</text>
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                <text>Walnut side chair with banister back.</text>
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                <text>1720-1730</text>
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                <text>Walnut side chair with banister back and drop-in seat.</text>
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              <text>This beech side chair is stained to simulate walnut. It has a tall narrow curved back with a shaped crest rail with rounded corners above a solid baluster-shaped splat fitted into a ‘shoe’ at the rear of the seat. The chair has a tapered drop-in seat with a moulded seat rail cut away for lightness and rounded at the front corners. It is raised on cabriole legs with pad feet at the front and turned back legs with squared blocks at the joints and heels. The H-form turned stretchers have squared blocks at the joints and the cross stretcher is set towards the front of the chair. There is a higher rear stretcher. The drop-in seat has a replaced frame, with re-used horsehair stuffing and hessian, and is covered with a 20th century green fabric, now faded. &lt;br /&gt;&lt;br /&gt;Chairs with a curved back such as this were referred to as ‘India back’ or ‘bended back’ chairs, since the bent form was influenced by Chinese chairs; trade with China was carried out by the East India Company and the term ‘India’ was used to describe almost any connection with the Far East. The use of beech for this chair suggests it was originally japanned, or ebonised, which was a common finish for less expensive chairs than those made of walnut. It seems likely the black stain and varnish used for japanning has been stripped off and the chair has then been stained to resemble walnut. The chair is similar to others in the Frederick Parker Collection, including FPF045, with a rush seat, and FPF059.</text>
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              <text>The chair is in poor condition, with extensive woodworm damage, and has been stained dark brown.&lt;br /&gt;Front seat rail replaced.&lt;br /&gt;Both front leg ear brackets damaged.&lt;br /&gt;Both front feet replaced.&lt;br /&gt;Repair to shoe.&lt;br /&gt;Repair to right back post.&lt;br /&gt;Drop-in seat replaced and recovered.</text>
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              <text>Beech.&lt;br /&gt;Upholstery.</text>
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          <description>The physical size of the object</description>
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              <text>H. 102&lt;br /&gt;W. 54&lt;br /&gt;D. 51</text>
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              <text>Purchased by Frederick Parker &amp;amp; Sons on 17th December 1920 for £2 12s 6d.</text>
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              <text>For details of similar chairs see: Adam Bowett, Early Georgian Furniture 1715-1740, Antique Collectors' Club, 2009, pp. 163-165.</text>
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            <name>Identifier</name>
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                <text>Beech side chair with drop-in seat. </text>
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                <text>Beech side chair with vase-shaped splat and drop-in seat.</text>
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              <text>This walnut armchair has an upholstered arched back and a ‘compass’ (meaning curved or rounded) drop-in seat set within veneered seat rails. The shepherd’s crook arms terminate in unusual cabochon ovals at the joints with the seat rails. The cabriole front legs have carved shells on the knees and C-scrolls to the top edges, and terminate in ball and claw feet. The back legs are square in section and are flared. The back has 18th century webbing and hessian, while the seat has 19th century webbing; the chair cover is a modern tapestry. &lt;br /&gt;&lt;br /&gt;This chair has undergone significant alterations. The back, which originally was almost certainly rectangular and higher, has been cut down and re-shaped, partly to fit the arms, which appear to be from another chair. The back is now out of proportion and the chair has the appearance of being heavy and squat.</text>
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              <text>Significant alterations to the back. &lt;br /&gt;The arms might be from another chair. &lt;br /&gt;One arm support restored. &lt;br /&gt;The back legs built up. &lt;br /&gt;20th century covers.</text>
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              <text>Walnut (solid and veneer).&lt;br /&gt;Upholstery.</text>
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          <description>The physical size of the object</description>
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              <text>H. 91&lt;br /&gt;W. 66&lt;br /&gt;D. 61</text>
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              <text>1745.  3245.</text>
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              <text>Purchased by Frederik Parker &amp;amp; Sons pre-1912 from Clifford; valued at £9.0.0</text>
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              <text>For comparable chairs of this period see Adam Bowett, Early Georgian Furniture, 1715-1740, Antiques Collectors Club, 2009, for example p.176, Plate 4:65, and pp.182-3, Plates 4.76 and 4.81.</text>
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            <name>Identifier</name>
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                <text>Walnut upholstered armchair with shepherd’s crook arms.</text>
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                <text>1735-1745 and later.</text>
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                <text>An upholstered walnut armchair with shepherd’s crook arms, ‘compass’ seat and cabriole front legs with ball and claw feet.</text>
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              <text>This walnut chair has figured veneers on the faces of the back posts, crest, cross rail and splat and on the seat rails. The waisted back posts are joined by a shaped crest rail, above a shaped intermediary cross-rail and an elaborately shaped solid splat fitted into a raised ‘shoe’ on the rear seat rail. The ‘compass’ (rounded) seat, echoing the shape of the back, is moulded along the top edges to retain the drop-in seat, which is replaced and upholstered in 20th century gold velour. The chair is raised on four cabriole legs terminating in pad feet; the front legs are walnut with ‘C’ scrolls on the ears at the top of the legs and foliate carving on the knees and feet, while the back legs are stained beech with plain scroll ears on the knees.&lt;br /&gt;&lt;br /&gt;This type of chair was often called a banister-back chair. It has a compass back and seat and is broader than the tall and narrow chairs of the 1720s. The back is both ‘bended’ in the vertical plane and dished in the horizontal plane. The complexity of its form and construction entailed ‘a high degree of workshop organisation as well as individual competence’ (Bowett, 2009).&lt;br /&gt;&lt;br /&gt;Chairs of this form are sometimes associated to the Clerkenwell cabinet- and chair-maker, Giles Grendey (1693-1780); examples of Grendey’s chairs include a set of six walnut chairs, c. 1730, two bearing the remnants of his trade label, now in the Carnegie Museum of Art (Gilbert, 1996); and a set of red-japanned (lacquered) and gilt chairs, c. 1735-40, from about eighty various pieces that Grendey supplied to the Duke of Infantado for his castle of Lazcano in Spain - an example is in the Metropolitan Museum of Art, New York, Accession Number: 37.115. &lt;br /&gt;&lt;br /&gt;However, chairs like this were made by a number of other makers; for example, a pair with similar profile back but more extravagantly carved is at Glin Castle, Co. Limerick, and has been identified as by an Irish maker (Knight of Glin, 2007); and a chair with a very similar back and square seat was sold at Sotheby’s, New York, 20th January 1990, lot 116.</text>
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              <text>The ‘shoe’ may be a replacement; there are screw holes on the top and a piece missing from the right side.&lt;br /&gt;There is a small piece of veneer missing on the left side of the seat-rail.&lt;br /&gt;The drop-in seat frame is replaced.&lt;br /&gt;The front legs could be early-20th century replacements; the overcleaned surface of the chair makes a judgement very difficult.</text>
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              <text>Walnut. &lt;br /&gt;Beech.&lt;br /&gt;Upholstery.</text>
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          <description>The physical size of the object</description>
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              <text>H. 102 &lt;br /&gt;W. 58 &lt;br /&gt;D. 61</text>
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              <text>Plastic label on seat rail, PATTERN OM 3697. See Frederick Parker Archive, Box 55, Ms. FPA050, page 146.</text>
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              <text>In stock prior to 1915; purchased by Frederick Parker &amp;amp; Sons for £15.0.0 from Cecil Millar of 30 Newman Street, W.1.</text>
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              <text>Adam Bowett, Early Georgian Furniture 1715-1740, Antique Collectors' Club, 2009, pp. 177-179. See Plates 4:66 and 4:67 for comparable chairs.&lt;br /&gt;C. Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, Furniture History Society and Maney, 1996, p. 242, plate 434.&lt;br /&gt;&lt;a href="https://www.metmuseum.org/art/collection/search/198003"&gt;Giles Grendey | Side chair | British, Clerkenwell, London | The Metropolitan Museum of Art&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Knight of Glin, J. Peill, Irish Furniture, New Haven and London, 2007, pp. 108-109, fig. 139.</text>
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                <text>Carved walnut and walnut-veneered side chair.</text>
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                <text>A carved walnut and walnut-veneered side chair with solid splat and cabriole legs.</text>
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          <name>Full Description</name>
          <description/>
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              <text>This walnut side chair has a concave crest rail with deeply carved scrolls at the rounded ends, and tapering and waisted back posts which are cross-grain veneered. A solid inverted baluster splat, almost violin-shaped, joins an upholstered drop-in ‘compass’ (rounded) seat on a walnut-veneered seat-rail with a shaped front apron. The chair has cabriole front legs with carved ‘C’ scroll ears and pad feet. The back legs are turned with shaped ears and flared with pad feet. The legs are joined by a turned ‘H’-form stretcher with square blocks; the middle stretcher is wave-shaped and there is a higher turned back stretcher. The drop-in seat is covered with 20th century reproduction Genoa figured velvet.&lt;br /&gt;&lt;br /&gt;This type of chair was often described as a ‘banister’ or ‘pedestal’ back chair in contemporary accounts, referring to the baluster- or vase-shaped profile of its central splat. In June 1725, inventories for Cannons, Middlesex, and Chandos House, London, respectively the country and London seats of James Brydges, 1st Duke of Chandos, show that both houses had several sets of chairs with ‘banister backs’(Bowett, 2009). &lt;br /&gt;&lt;br /&gt;This chair has a similar waved cross-stretcher to that found on a japanned and beechwood chair illustrated in Bowett, 2009, p.158, Plate 4:29, and on a chair in the Frederick Parker Collection, FPF045, also illustrated in Bowett, 2009, p. 163, Plate 4:37. The use of stretchers in combination with cabriole legs was gradually phased out on the better quality chairs during the 1720s and 1730s.</text>
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              <text>Original finish stripped; now stained and varnished, obscuring the colour and grain.&lt;br /&gt;Repairs to right hand back upright, shoe and right hand seat rail.</text>
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          <description/>
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              <text>Walnut.&lt;br /&gt;Upholstery.</text>
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          <description>The physical size of the object</description>
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              <text>H. 99 &lt;br /&gt;W. 53 &lt;br /&gt;D. 53</text>
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              <text>OM 8, pattern no. 281.  See Frederick Parker Achive, Box 55, Ms. FPA050, page 137 and 159.</text>
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              <text>In stock with Frederick Parker &amp;amp; Sons prior to 1911 when it was valued at £1.0.0.</text>
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          <name>Notes</name>
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              <text>Adam Bowett, Early Georgian Furniture 1715-1740, Antique Collectors' Club, 2009, pp. 158, 161, 163, 177, Plates 4:29, 4:37-4:38.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF080</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Walnut side chair with drop-in seat.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1730-1740</text>
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            <name>Description</name>
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                <text>Walnut side chair with a solid baluster splat and upholstered drop-in seat.</text>
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              <text>This unusual corner chair, mainly in American black walnut, has a saddle-shaped seat in the manner of Windsor chairs, and the back is shaped and profiled, with a curved ‘paper scroll’ at the top. The arms are formed as a boldly curved bow and end in outwardly flaring scrolls, resting on slender turned column supports which rise from the tops of two of the legs. The seat rails are made of elm, cross-grain veneered in walnut. The four cabriole legs have shell carvings on the knees and terminate in pad feet. &lt;br /&gt;&lt;br /&gt;Corner chairs were often associated with writing or dressing, and as such would have been seen from the back as well as the front. In this case the back leg is treated in exactly the same way as the other three, and the back itself is fully finished, whereas on most chairs of this period the backs were given a more basic, and less expensive, treatment. &lt;br /&gt;&lt;br /&gt;Such chairs were seldom made in sets or pairs, but usually as individual items, and are referred to in contemporary inventories as ‘dressing chairs’ (Bowett, 2009). Although this chair is well made it lacks the degree of sophistication expected of a London maker. For example, the arm supports seem rather incongruous and the use of elm as a secondary wood is unusual in metropolitan work. It was perhaps the work of a competent provincial maker. The leathered squab cushion is of a later date.</text>
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              <text>One arm support replaced. &lt;br /&gt;Veneer patched on front seat rail.&lt;br /&gt;Squab not original.&lt;br /&gt;The patinated surface that was present when the chair was acquired for the Frederick Parker Collection, and is visible in an early photograph, has unfortunately been cleaned off, although the chair retains its mellow colour.</text>
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          <name>Materials</name>
          <description/>
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              <text>American black walnut.&lt;br /&gt;Elm.&lt;br /&gt;Squab cushion.</text>
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          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
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              <text>H. 99&lt;br /&gt;W. 76&lt;br /&gt;D. 69</text>
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              <text>3837.  4919.</text>
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              <text>Purchased by Frederick Parker &amp;amp; Sons on 15 May 1916 from White for £38.0.0.</text>
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          <name>Notes</name>
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              <text>Adam Bowett, Early Georgian Furniture, 1715-1740, Antique Collectors’ Club, 2009, p.188-9. &lt;br /&gt;Exhibited at the British Antique Dealers’ Association’s Exhibition of Art Treasures at the Grafton Galleries, London, 1928, no. 89. Although in the exhibition catalogue it was described simply as an ‘armchair’, the tall narrow back with its paper-scroll cresting sometimes gave rise to the erroneous idea that this was a barber’s chair.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF083</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Walnut corner armchair with shaped seat, scrolled back and cabriole legs.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Description</name>
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                <text>A corner armchair in American black walnut and elm, with a shaped seat, solid back with scrolled top, out-swept arms and four cabriole legs.</text>
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          <name>Full Description</name>
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              <text>This walnut side chair has a dipped crest rail with rounded cusped corners, continuous with the back posts, which are waisted. The back is cross-grain walnut veneered on oak and has an edge moulding. It encloses an inner frame for an upholstered back panel covered in a modern red damask and secured with 19th or early 20th century steel turn-buttons on the rear face, which is covered in red cloth. The waisted seat rails are also cross-grain walnut veneered on oak, with an edge moulding, framing a compass (rounded) upholstered drop-in seat. There are carved scallop shells on the seat rail at the front corners, where the front legs meet the rail. The front cabriole legs, which are solid walnut, have ‘C’ scrolls and lappets carved at the knees, and the solid walnut cabriole back legs are flared. The legs terminate in pad feet. &lt;br /&gt;&lt;br /&gt;Although at first sight this appears to be a chair dating to around 1730, it was almost certainly made up in the late 19th or early 20th century, using the front legs and seat rails of an 18th century chair. The back and seat are narrower, and the overall shaping of the chair is more stilted than would be expected of an 18th century chair; the upholstered back panel would also be a highly unusual feature in a chair of that date. The steel turn-buttons and the use of oak rather than beech as a secondary timber further indicate that this is a made-up chair. &lt;br /&gt;&lt;br /&gt;It is reasonable to assume this chair was made to deceive and was sold to Frederick Parker as such, who paid a considerable sum for it.</text>
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              <text>The front legs and front and side seat-rails appear to be 18th century and rest of the chair is later. The front left ear is probably a replacement.</text>
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              <text>Walnut.&lt;br /&gt;Oak.&lt;br /&gt;Upholstery.</text>
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          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
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              <text>H. 107 &lt;br /&gt;W. 61 &lt;br /&gt;D. 51</text>
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              <text>Stamped ‘III’ on left hand seat rail, indicating this is one of a set.</text>
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              <text>OM 5993, pattern no. 4398. See Frederick Parker Archive, Box 55, Ms. FPA050, page 126.</text>
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              <text>Purchased by Frederick Parker &amp;amp; Sons in December 1921 from Clifford for £15.0.0</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPF086</text>
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            <description>A name given to the resource</description>
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                <text>A walnut side chair with upholstered drop-in seat and back.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1900-1920, part c.1730</text>
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                <text>A walnut and walnut-veneered side chair with cabriole legs and upholstered drop-in seat and back.</text>
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              <text>This mahogany chair has a spoon-shaped, waisted and fully upholstered back, with a semi-circular scoop in the top centre. The stuff-over compass seat rests on four cabriole legs decorated with carving, the front pair with leaves on the knees and just above the pad feet, and the back pair with leaves along the upper forward edge. This carving has traces of gilded decoration. The upholstery cover is 20th-century velvet with braided trimming. &lt;br /&gt;&lt;br /&gt;It is suggested that this is one of a set of perhaps six Scottish chairs dated c.1735-40, attributed to Edinburgh makers Alexander Peter and John Schaw and reputed to have belonged to Catherine Gordon of Gight (Wood, 2008, p.419). Two of the chairs were recorded by the furniture historian R.W. Symonds but their current location is unknown. A third is in The Metropolitan Museum of Art, New York, where the construction and upholstery have been studied in detail (see Wood, p.420). All three chairs are shown with needlework covers depicting scenes from Ovid, suggesting the Frederick Parker chair might originally have had similar covers. &lt;br /&gt;&lt;br /&gt;The top of the back of this chair (and of the others in the set described above) has a semi-circular scoop which might have held a circular decorative or armorial motif. This is a feature of other chairs discussed by Wood (p.407) and Beard (1997).&lt;br /&gt;&lt;br /&gt;If the assumptions above are correct this would have been a very expensive chair, made for an aristocratic client by leading Edinburgh craftsmen, Alexander Peter, ‘wright’, or joiner, and John Schaw, upholsterer. It would have originally been covered with needlework of exceptional quality and had an armorial roundel in the crest. It would possibly have graced the grand rooms of a Scottish baronial house.</text>
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        </element>
        <element elementId="52">
          <name>Condition</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="943">
              <text>There are losses to both front feet. &lt;br /&gt;The chair was re-covered in velvet with braid trimming in the 20th century. It is recorded that when purchased by Frederick Parker &amp;amp; Sons it was covered in Morocco leather (goat skin).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="26">
          <name>Materials</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="944">
              <text>Mahogany.&lt;br /&gt;Upholstery.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The physical size of the object</description>
          <elementTextContainer>
            <elementText elementTextId="945">
              <text>H. 99&lt;br /&gt;W. 61&lt;br /&gt;D. 66</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Parker Numbers</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="946">
              <text>950.  2059.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="947">
              <text>Purchased by Frederick Parker &amp;amp; Sons pre-1911 from Millar (probably Cecil Millar) for £13.13.0</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Notes</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="948">
              <text>Lucy Wood, The Upholstered Furniture in the Lady Lever Art Gallery, Yale University Press, Vol. I, 2008, p.419. This chair is considered alongside comparable chairs in the Lady Lever Art Gallery collection.&lt;br /&gt;Beard, Geoffrey, Upholsterers and Interior Furnishing in England 1530-1840, Yale University Press, 1997, p184. &lt;br /&gt;A similar chair is illustrated in Edwards, Ralph, Dictionary of English Furniture, Country Life, 1954, Vol. I, p. 261.</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="938">
                <text>FPF092</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="939">
                <text>Mahogany side chair with upholstered oval seat and spoon-shaped back.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="940">
                <text>1730-1740.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="941">
                <text>Mahogany side chair with cabriole legs, carved and gilt, with upholstered oval seat and spoon-shaped back.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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